Timpani Tone and the Interpretation of Baroque and Classical Music explores
the nature, production, and evolution of timpani tone and provides
insights into how to interpret the music of J. S. Bach, Handel, Haydn,
and Mozart. In drawing on 31 years of experience, Steven L. Schweizer
focuses on the components of timpani tone and methods for producing it.
In so doing, he discusses the importance of timpani bowl type; mallets;
playing style; physical gestures; choice of drums; mallet grip; legato,
marcato, and staccato strokes; playing different parts of the timpano
head; and psychological openness to the music in effectively shaping and
coloring timpani parts.
In an acclaimed chapter on
interpretation, Schweizer explores how timpanists can use knowledge of
the composer's style, psychology, and musical intentions; phrasing and
articulation; the musical score; and a conductor's gestures to
effectively and convincingly play a part with emotional dynamism and
power. The greater part of the book is devoted to the interpretation of
Baroque and Classical orchestral and choral music. Meticulously drawing
on original sources and authoritative scores from the seventeenth
through nineteenth centuries, Schweizer convincingly demonstrates that
timpanists were capable of producing a broader range of timpani tone
earlier than is normally supposed. The increase in timpani size, covered
timpani mallets, and thinner timpani heads increased the quality of
timpani tone; therefore, today's timpanist's need not be entirely
concerned with playing with very articulate sticks. In exhaustive
sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader
on an odyssey through the interpretation of their symphonic and choral
music.
Relying on Baroque and Classical performance practices,
timpani notation, the composer's musical style, and definitive scores,
he interprets timpani parts from major works of these composers.
Schweizer pays particular attention to timpani tone, articulation,
phrasing, and dynamic contouring: elements necessary to effectively
communicate their part to listeners.
Features
Is the only book on the market detailing the interpretation of Baroque and Classical music for Timpanists
Provides a discography of seminal timpani performances of the major pieces discussed in the text
Demonstrates the previously unrecognized importance of timpani tone to late Baroque and Classical composers