Three Chorales for Solo Marimba Vol. 2 - 3 Titel, alles gewirbelt, 4 Schl., 5-Oktav-Marimba, advanced

Unlike the first collection of chorales, this volume was composed within only one year. The third chorale is an arrangement of Elgar’s Nimrod from Variations on an Original Theme (Enigma) for Orchestra, Op. 36. The progressions to the second volume include technical challenges such as wide intervals in both hands and wider reach between left and right hands. Musical challenges encompass longer phrases and highlighting the moving voices in the inner parts.  

Chorale Fantasy was written shortly after my Grandad’s passing in July 2012. Composing this chorale was a way to express my grief and also to celebrate his life. Different to my other chorales, most of the harmonic changes occur due to the movements of the inner voices, therefore be aware of bring these out. 

Chorale Fantasy is dedicated to my beloved Opa with great affection. 

Lasciato is an Italian word to describe the feeling of relinquishment. Having similar intentions as Chorale Fantasy, Lasciato was composed to express one’s sorrow after abandonment. Three different themes are used in this chorale to explore the different colours of the 5-octave marimba in the low to middle registers. 

Elgar’s Variations on an Original Theme (Enigma) for Orchestra, Op. 36 is amongst one of my favourite orchestral works. My love for the well-known movement Nimrod led me to arrange it for solo marimba because both the instrument and this piece emit a great mellowness and warmth. 

All notes (except for notes with accent in Nimrod) are to be rolled with soft mallets.

Robert Oetomo