Review

[The] recital was a showcase of Volans' imagination, his ability to draw an almost infinite array of patterns and effects from a relatively limited range of unpitched instruments. The 1985 She Who Sleeps with a Small Blanket is already a bit of a classic. The brief and violent Asanga (1997), however, and the expansive and wonderfully intricate Akrodha (1998) are not so well known, but clearly should be.
Andrew Clements, The Guardian, 24/11/2004